Bing kwan p&t barnum biography

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Metropolitan Museum Cleveland Museum of Art. Sadly, Barnum only lived a decade after this partnership began, but the circus continued to flourish long after his death. That's when the nationally-declining audiences for circuses finally forced it to close. Decades before founding this circus, Barnum was established as one of the greatest showmen and entertainment promoters of all time.

Much of this was done with traveling shows he took on tour up and down the East Coast. But, he also built Madison Square Garden to serve as a close-to-home venue for his shows so he wouldn't have to travel so much. Whether on the road or at home, he achieved prominence by making international celebrities of people like: Joice Heth whom he touted as George Washington's year old nanny; Tom Thumb, a young boy he passed off as a sophisticated adult "little person;".

Mme Josephine Clofullia, a bearded lady who had to go to court to prove she wasn't a man; and. He had also turned non-humans into celebrities whom he exhibited in his American Museum in New York City. They included: the "Feejee Mermaid," a desiccated, semi-mummified corpse that he claimed had been a beautiful, full-breasted mermaid although it looked like a monkey head and torso sewn onto the lower-half of a large fish and hundreds of exotic living animals he had collected and shipped to the U.

While there was no denying the reality of performers like Jenny Lind, many of the other attractions Barnum promoted and exhibited were, by his own admission, "humbugs," -- They weren't quite what they were advertised as being. Nonetheless, people continued to flock in to see them.

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Barnum defended these "humbugs" which fooled thousands of people and helped him earn tens of thousands of dollars as being all in good fun. He said his outlandish claims were so tongue-in-cheek that no one could take them seriously and that they were meant to entertain the public. Surprisingly, there's plenty of evidence that this was true.

Many people who paid to see his humbugs agreed. Some even came back and paid to see the humbugs a second time after they had figured out they were fakes. They said Barnum's "scams" were so much fun, it was worth paying to see them again. Barnum loved operating like this and sometimes proudly, but laughingly, called himself "the Prince of Humbugs.

And, no one denied his ability to attract audiences, to stage spectacular events, and to turn previously-unknown persons into celebrities. For decades after his death, well into the 20th century, that's what the general public and the public relations profession remembered him for doing. Barnum's critics -- And, there were many while he was living and generations later.

In their eyes, he was a total scoundrel and should be treated as such. Barnum and tried to distance themselves and their profession from him. Before this time, some practitioners may have viewed Barnum as a "black sheep" of the profession, someone who should not be emulated, but they never denied that he had practiced at least a rudimentary form of public relations and had helped the field grow into a thriving and respected profession.