Motoi yamamoto biography of william

Motoi yamamoto biography of william: Born in Onomichi in Japan,

In fact, I worked a little too hard for the solo exhibition in Charleston, and was hospitalized to go through an emergency operation as soon as I got back to Japan! In any case, working with him has been that exciting and rewarding for me as an artist. Motoi Yamamoto, Return to the Sea: Saltworks, installation view. Courtesy the artist.

Photo: Rick Rhodes. Are you engaged in any new artistic or personal practices as a result of social distancing? If so, what are they? The renewed website is scheduled for a release sometime at the end of September this year.

Motoi yamamoto biography of william: The story behind Yamamoto's

How does your body react to the strain of creating a saltwork? During installation work, I use taping to give myself more support, take pain killers to mitigate the pain. Daily exercises, at least for an hour a day, also plays a critical role in order to maintain physical and muscle strength that I need for my work. However, part of me believes that some physical pain is inevitable or even necessary at some point as part of my work.

Why do you choose salt to express your art? The reason why I use salt for my artwork is because it is essential to life and a sacred material that has profound connection with life and death. Life began in the primeval sea, and still today, we cannot live without salt. In its long history, human beings discovered that salt has a power to protect food from rotting.

Because of its preservability and permanency, it has been playing an essential role in ceremonies relating to life and death as a symbol of life and death. In Japan, after a funeral, participants put some salt on their body because it is believed that salt has a sacred power to cleanse impurity, clarify and purify the mind. Impurity means a state that is not ideal, unusual, or unstable.

Thus, salt is believed to have a power to break out of situations where mind is not in peace. In the winter ofmy sister who was 24 years old passed away because of malignant brain tumor. I began creating my artwork so that I could accept and over come her death. I tried different materials such as earth, wood, paper, glass with themes like terminal care, criterion of death, as well as heart sutra.

In the fall ofwhen I was working on an artwork about funerals, I came up with the idea to use salt. I made a salt bed, a deathbed, and exhibited it outdoors but a typhoon melted it and it dissolved back to earth during the exhibition. Motoi forged a connection to the substance while mourning the death of his sister, at the age of twenty-four, from brain cancer, and began to create art out of salt in an effort to preserve his memories of her.

His art radiates an intense beauty and tranquility, but also conveys something ineffable, painful, and endless. Although he creates basic guidelines and conditions for each piece, the works are almost entirely improvised with mistakes and imperfections often left intact during hundreds of hours of meticulous pouring. After each piece has been on view for several weeks the public is invited to communally destroy each work and help package the salt into bags and jars, after which it is thrown back into the ocean.

Motoi Yamamoto Video Gallery. Explain and demonstrate ways in which patterns and symmetrical shapes may be made.

Motoi yamamoto biography of william: The artist, born in

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