Critical essays on autobiography of red
In the beginning, Geryon is a young boy with red wings and an innocent and empathic spirit.
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He grows up into a moody teenager with low self-esteem who thinks himself monstrous, and just wants to be loved and understood. At sixteen, he falls in love with Herakles, and learns about the transformative power of love, as well as its limitations. When Herakles breaks his heart, he succumbs for a time to numbness. Though Geryon suffers his loneliness and is continually disappointed by the distance between people, he retains much of that innocent and empathic spirit from his early youth.
He continues to study what makes people happy, closely observing the relationships between things and people. Stesichoros unlatched those adjectives from those nouns in order to invent new kinds of descriptions.
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How do the volcano poems of Emily Dickinson relate to Autobiography of Red? Herakles brings up the poem in the context of the documentary he and Ancash are making about Emily Dickinson and volcanoes. The empty fruit bowl of his childhood home is a signifier of neglect; his appetite for love and affection was never satisfied. Weeks pass.
Geryon and Herakles begin having sex. They go around Hades at night spray-painting messages and art onto buildings. Geryon starts an autobiographical photo series. Their relationship has its daily ups and downs, and their communication breaks down. They have one final argument about photography, and then Geryon leaves Hades, returning home to his family.
Heartbroken in the weeks that follow, Geryon falls into a state of numb depression. He gets a job at a library, and continues his photography. The narrative jumps forward a number of years. Now 22, Geryon flies down to Buenos Aries, Argentina.
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In Buenos Aires, Geryon spends long hours writing cryptic postcards at Cafe Mitwelt and wanders the streets at night, feeling emotionally unfulfilled. At dinner with a bunch of philosophers after the conference, Geryon has a fleeting moment of happiness and belonging. Yet he still suffers from loneliness, and, sleepless one night, stumbles upon the last authentic tango bar in Buenos Aires, where he has a startling conversation with a tango singer about psychology.
Searching for answers, he turns to philosophy and self-help books. In a bookstore, he bumps into Herakles, who is traveling around South America filming volcanoes for a documentary on Emily Dickinson with his boyfriend Ancash.
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They begin spending time together, and Geryon discovers that he feels a quiet affinity for Ancash, while feeling both attracted to and distant from Herakles. After Herakles steals a painted tiger from a carousel in a department store, all three of them fly together to Peru. On the plane, Geryon and Herakles become intimate again. Geryon finds winter in Lima to be cold and miserable, and wonders why he's there at all.
Geryon takes a series of photographs along their journey. Herakles and Geryon have sex, and Geryon realizes that he no longer loves Herakles, or even feels like he knows him anymore.